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Chapters 9 & 10 - Etruscan and Ancient Roman Art

Terms

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copy deck
second style mural
architectural style, decoration is no longer restricted to a single plane. The room is meant to look as though it is extended more than it really is (the decoration is architecture)
roundel
a circular painting or relief sculpture
barrel vault
semicylindrical in cross-section, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space
groin vault
formed at the point at which 2 barrel vaults intersect at right angles
rib vault
a framework of ribs or arches under the intersections of the vaulting sections
basilica
a civic building for civic and legal proceedings, rectangular in plan with an entrance on the long side
coffer
a sunked panel, often ornamental, in a vault or a ceiling
drum
one of the stacked cylindrical stones that form the shaft of a column; the cylindrical wall that supports a dome
arcade
a series of arches supported by piers or columns
atmospheric perspective
creates the illusion of distance by the greater diminution of color intensity, the shift in color toward almost neutral blue, and the blurring of contours as the intended distance between the eye and object increases
imagines
wax portraits of ancestors
portrait bust
a sculpture of a man or woman's head and shoulders, usually done for wealthy people
equestrian statue
a large sculpture, usually of a man, astride a horse
concrete
building material invented by the Romans and consisting of various proportions of lime mortar, volcanic sand, water, and small stones
aquaducts
artificial channels that were constructed to convey water from one location to another
verism
true to natural appearance
triumphal arch
a freestanding arch commemorating an important event
niche
a small cove in the wall of a building, usually semicircular, where a statue may be placed
oculus
the round central opening of a dome
Pompeii
a city perserved by volcanic ash
tumulus
burial mound; in Etruscan architecture, tumuli cover one or more subterranean multichambered tombs cut out of the local tufa
illusionism
a technique of using pictorial methods in order to deceive the eye
first style mural
Incrustation, colored tiles
second style mural
the style of Roman mural painting in which the aim was to dissolve the confining walls of a room and replace them with the illusion of a d# world constructed in the artist's imaination
third style mural
Ornate, paintings are detailed decorations
fourth style mural
Intricate, combines the other three styles.

Deck Info

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