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Music 10 vocab

Terms

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cantata
Baroque era, sung, oratorio but shorter (sacred, opera components like recitative, aria, and chorus)
basso continuo
Baroque era, instrumental, continuous bass part
canon
imitative polyphony where one voice leads another exactly
syllabic
one note per syllable, common in recitative
binary dance
suite of dances, very balanced, [A A B B]
cadence
pause between melodies, the tension and release at the end of a strophe
imitative polyphany
in canons, where one voice leads another exactly
strophe
verse, stanza
tonality
context for pitch relationships, major and minor keys, expectations for consonance and dissonance
texture
describes how voices work together
sonata
instrumental (usually keyboard for solo), as opposed to cantata song [: A :] [: B A':]
opera
Baroque era, sung, contains recitative, aria, and chorus
round
voices enter systematically and play the same notes as each other
chant-divine office
Renaissance era, liturgical (religious), for people who worked at the church
organum
k
timbre
tone color that distinguishes character of instruments
counterpoint
several voices in polyphony harmonically playing different melodies
string quartet
four stringed instruments-violin, viola, ciolin-cello, bass
rhythm
h
chant-mass
Renaissance era, liturgical (religious), for weekly mass with citizens
dissonance
release
madrigal
Renaissance era, secular, vernacular texts (poems), word painting, polyphonic, repeating words, unaccompanied
recitative
tells a story, usually syllabic, starts and stops often, one voice
opera seria
j
monophany
one voice (melody)
modulation
traveling to another key
basso ostinato
Baroque era, instrumental, repeating bass pattern
oratorio
Baroque era, cantata but longer (sacred, opera components like recitative, aria, and chorus)
fugue
finale, complicated contrupunal mode of composition, one movement
baroque concerto
k
classical concerto
l
consonance
tension
strophic
j
motet
Medieval and Renaissance eras, multiple texts, sometimes multiple languages, mix of sacred and secular
ritornello
recurring passage
pulse
k
aria
emotional, repeated, less syllabicism, one voice
melismatic
several notes per syllable, common in plainchant and arias
chant
Renaissance era, consisted of mass and divine office
liturgical vs. secular
religious vs. non-religious
polyphany
several voices (melodies) playing separately, usually in counterpoint

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