Creative Industries
Terms
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- Intersections
- Johannson - "The Medici Effect" -2004
- Creativity, Creative Age, Diversity
- Earls - "Welcome to the Creative Age: Bananas, business, and the Death of Marketing" - 2002
- "different perspectives generate more stimulated thinking" - leads to synergy, more interesting solution
- Earls, "Welcome to the Creative Age", 2002, p.31
- Creativity = "ability to find new solutions to old problems"
- Earls, "Welcome to the Creative Age", 2002, p.20
- needs to be correct balance - diversity + homogeneity, X creative stagnation, X conflict, Need E.I
- Ind and Watt - "Inspiration: Capturing the Creative Potential of Your Org." - 2004
- Diversity represents potential for more thoughtful D-M. Confront opinions and knowledge of others from diverse backgrounds, = rethink P.o.V
- Simons, Pelled and Smith - "Making Use of Difference" - 1999 - p. 662
- Challenges of sustaining creativity: - intrinsic joy, market pressures, business savvy, teams+expanding=less control
- Cree et al. - "Where Angels Fear to Tread" - 2002
- Rise of cultural industries, significance of knowledge to all aspects of economic production/distribution/consumption, rise of services sector, = new economy, more informational, global, networked
- Flew - "New Media: An Introduction" - 2002
- Defn of CI's: activities with origin in individual creativity, skill + talent, potential for wealth and job creation, thru generation and exploitation of intellectual property
- UK Department of Culture Media and Sport (DCMS) 1998
- "consumers increasingly use commodities to construct a personal identity"
- Flew - "New Media" - 2002, p. 114
- consumption = increasingly symbolic of identity and social positioning
- O'Connor - Flew
- Strategy for developing the export potential of NZ Music Industry
- Creating Heat 2002, NZ Trade and Enterprise
- music export model by Creating Heat, plugging into global infrastructures
- NZ Out There
- Ideologies of Hip Hop - community, educational empowerment of marginalised people, opposition to hegemonic, racist, colonising forces
- Zemke-White - "Keeping it real (indigenous)" - 2004
- creativity = collective action and process, embedded in prestructured social and cultural identity - must regard environment as well
- Tschmuck - "How Creative are the CI's? A case of the music industry" - 2003
- 3 traditional pillars of "Music as a Product" Paradigm: Control of Publishing Rights, Marketing Power, Distribution Channels
- Tschmuck - "How Creative?" - 2003
- Internet changes paradigm -Music as Product to Music as Service.
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-Music providers on net circumvent copyright regulations
-Smaller record labels X exclusively depend on distribution networks of major comps, can sell direct
(Tschmuck - "How Creative?" -2003) - PostModern modes of culture (+author)
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-making $ and making culture = same
-antipathy to work VS leisure
-reliance on informal networks
-emphasis on intuition, emotional involvement, immersion
-Cultural producers work for themselves, X 9-5
(O'Connor - Flew "New Media 2002)